Otra GRAN SORPRESA descarga aqui Oeksound Soothe 2 Full Win x64 DIECTAMENTE DE TELEGRAM sin virus:https://t.me/PluginsCrackhttps://t.me/PluginsCrackDescarga. Soothe harshness, save time. Soothe2 is a dynamic resonance suppressor. It identifies problematic resonances on the fly and applies matching reduction automatically. This results in a smoother, more balanced sound and saves you from having to notch out the frequencies by hand.

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Main sectionStereo sectionSpeed sectionQuality sectionSidechainOutput sectionFrequency and reduction graphToolbar

dynamic resonance suppressor

user manual

Contents

1. Introduction

soothe2 is a dynamic resonance suppressor. It automatically detects resonances across the whole frequency range and applies reduction only to harsh and resonant parts of the signal, where and when needed. It can find its uses on individual channels as well as on busses and in mastering. You can use it to reduce harshness from close mic’d sources, clean up low-mid muddiness, be a transparent de-esser, or even out poking bass build-ups.

Quick start

Start with the default factory preset and turn up the depth until you notice that soothe2 attenuates a bit too much. Then, back off the depth setting slightly. Adjust the sharpness to suit the input material – less sharpness for more general processing and more sharpness to target more specific resonances. Use the frequency graph along with the delta monitoring feature to focus the processing on the problematic frequency range. Turn off delta monitoring and find a sweet spot for the depth. Use bypass to evaluate the result of the processing.

2. Basic workflow

soothe2 has been designed with ease-of-use in mind, and in most cases, should be quick to set up, saving your time and ears for the creative work. By default, the plug-in loads up the factory default preset, which serves as a good starting point. Let’s look at how to use the main features of the graphical user interface (GUI).

The GUI of the plug-in is divided into sections to group together similar parameters. The main section houses the most important parameters: soft and hard mode, depth, sharpness and selectivity.

The processing algorithm of soothe2 comes in two flavours: soft for touchier adjustments and hard for more drastic measures.

In most cases, we’d recommend starting out in soft mode and using soothe2 as a channel insert for tasks like general harshness removal and de-essing. It is usually faster to set up and harder to overuse. In some other situations hard mode might be more suitable. For example, in hard mode, you could tame an otherwise great sounding but little too boomy double bass take or isolate an edgy 2.5 kHz peak from the lead vocalist buried in a busy mix.

depth, sharpness and selectivity are the core settings of the plug-in. depth adjusts the overall amount of the reduction - more depth leads to deeper cuts. sharpness controls the width (or Q) of the individual cuts. selectivity changes what kind of cuts to make, i.e. whether to focus less on overall resonances (less selectivity) or to focus just on individual resonances (more selectivity).

With the factory default preset as the starting point, you can soften most vocals just by turning up the depth setting to your liking.

The EQ nodes on the frequency graph control the weighting curve that is used to focus the processing on specific frequency areas. Clicking on a node on the graph selects the corresponding EQ band. Dragging the node horizontally shifts the band’s frequency, and dragging it vertically affects the band’s reduction sensitivity (higher sensitivity results in more reduction in that frequency area).

In the output section, you can toggle delta mode, which will have soothe2 output the difference between the input and the processed output when turned on. This lets you hear what is being removed.

On a stereo instance, i.e. when soothe2 is used on a stereo track, you can change stereo settings from the stereo section below the main controls. In this section, you can toggle between left/right or mid/side stereo modes, control the stereo link of the resonance detection, and focus the processing towards either one of the channels with the stereo balance setting.

With soothe2, you can adjust the speed with which the processor reacts to resonances. The attack parameter lets you slow down the reaction time, and the release parameter slows down the speed with which the notches disappear after they are no longer needed.

Slowing down the attack can be very useful when working with material that has sharp transients, for example, with drum overheads, as the snare drum attack can be let through while cleaning away the nasty resonances from the cymbals.

To gently even out energy build-ups with, for example, orchestral material or a lot of close-mic’d acoustical instruments with too prominent fundamentals, you can slow down both attack and release, and set sharpness and selectivity low.

soothe2 has a set of quality settings, including oversampling and time resolution options. Higher quality settings make the processed output sound smoother but use up more CPU. You can open the quality controls by clicking the labels presenting the selected quality settings.

Oversampling sets the spectral oversampling amount, offering a better frequency resolution for the processor to distinguish resonances when increased. Using high oversampling settings is necessary for the accurate handling of low frequencies.

The resolution option affects the temporal resolution. With the resolution set on high or ultra, soothe2 will more often refresh the reduction filter it internally uses, which can be audible with material that is abundant of transients or with complex waveforms. High-resolution settings result in a smoother time-domain response, especially with fast attack and release settings.

With the offline rendering quality settings, the plug-in will switch to different quality settings when doing an offline render or bouncing to a file. This depends on how the DAW interprets offline rendering, e.g., freezing the track is not considered offline rendering by some DAWs.

The utility toolbar sits on the top of the graph. From there, you can open the preset menu, access the configuration menu for global settings, a/b test plug-in settings, undo or redo changes or open up the tutorials.

Next, this manual delves into the details of all of the parameters, their effects and side effects, and some potential use cases. Alternatively, you could also check out the interactive tutorials in the plug-in. These let you experiment with a handful of clips provided by us with a guided tour through the features by use-case.

3. Parameters

3.1. Main section

The main section gathers together the essential parameters that affect the resonance detection: soft and hard mode, depth, sharpness and selectivity.

Soft / hard mode

soothe2 defaults to the soft mode. Of the two modes, the soft mode is more autonomous, easier to use and faster to set up. It is more transparent on most sources, preserves transients better, and in general, causes fewer artefacts, but with the trade-off of tending to avoid very drastic moves. Soft mode is also less level dependent and often better suited for very dynamic performances.

Hard problems require hard tools, however. Hard mode is the more active of the two and can be argued to be more powerful and tweakable. It can be easier to overuse and may take more time to set up.

If the problem can be solved using soft mode, that is generally the way to go since it will be faster to set up and will cause less damage even if not optimally set up. However, there are cases where soft mode just won’t cut it, and more control over the process is needed. Perhaps the material is very complex, or the amount of required reduction is more dependent on the dynamics of the material, such as with close mic’d guitar cabs. Trying to isolate the edgy 2.5kHz peak from the lead vocalist buried in a busy mix? Being presented with a poorly recorded violin and 18dBs of excess mid-range, or perhaps trying to tame that cymbal whistling from the overheads? Har

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